By Georgi
On a sunny July night in London, what could be more perfect than seeing a classic musical in a classic theatre?
This summer, the London Palladium is the home of the revival of Hello Dolly! – a marvellous sweet treat of a show lead by the sensational Imelda Staunton. Written in 1964, this musical tells the story of determined matchmaker Dolly Levi (played by Imelda Staunton) and her quest to Yonkers, New York to find a match for almost millionaire Horace Vandergelder (played by Andy Nyman). It soon becomes apparent that Dolly intends to marry Horace herself, waiting for a sign from her late husband.
For a classic musical revival, Hello Dolly! does exactly what it says on the tin. Vandergelder’s two clerks Cornelius Hackl (played by Harry Hepple) and Barnaby Tucker (played by Tyrone Huntley) are a charming and witty duo, with Hepple and Huntley showcasing their excellent ear for one another’s comedic timing. Jenna Russell as Irene Molloy brings a beautiful sense of poise to the role, especially in the heartfelt and smooth rendition of Ribbons Down My Back. Russell’s energy works wonderfully in unison with Emily Lane as Minnie Fay – it feels as if this employee and employer dynamic is something that we have all experienced in modern day, even 60 years after this show was written!
Even though I could write a thousand words on the beauty and brightness of Imelda’s performance, the other shining stars of this production are the set and costume design. Rae Smith has beautifully encapsulated not only the Dolly era but the Dolly energy. Over two and a half hours, they successfully transport us to the glamorous Harmonia Gardens in New York City and the ever so slightest less elegant Vandergelder’s Hay and Feed in Yonkers. Also, SPOILER ALERT, you don’t need to worry about transportation – there is a tram and train that grace the stage!
The closing number of Act One, Before the Parade Passes By, gave me instant goosebumps. It was a pivotal moment in the show where the entire audience seemed to stop for a moment, just to soak in the experience as a collective. The breaking of the fourth wall by many characters was a pleasant surprise and allowed the audience to really connect with these characters as well as feel part of the story.
Despite being a spectacle in its own right, I couldn’t help but want more in terms of synchronicity from the dancing of the chorus. During Waiters Gallop I was waiting for the chorus to come into an order but there were noticeable spacing gaps as well as variation in pacing and placement.
I hope that many can take advantage of their excellent young person’s scheme – £20 tickets for 16-30 year olds – as this price even applies to some of the best seats in the house!
At its heart, I think Hello Dolly! is a sweet and fun classic that will be enjoyed by all ages and should be experienced as an iconic moment in musical theatre history.
Sounds and Stage
