By Jude
Pop into New Wimbledon Theatre for a dose of the old razzle dazzle! Chicago is now playing, bringing all the sexiness, sin, and scandal expected. It has the perfect mixture of jazz glitz and murderess grit.
The city? Chicago. The year? Late 1920s. The victim? Fred Casely. The suspect? Roxie Hart.
After chorus girl Roxie (Janette Manrara) shoots her lover for ending their affair, she's thrown into Cook County Jail, a holding ground full of women who've murdered the men who wronged them. In their words: "It was murder, but not a crime."
Inside, Roxie butts heads with fellow inmate and former Vaudeville star Velma Kelly (Djalenga Scott). But with slick-talking lawyer Billy Flynn (Darren Day) in her corner, Roxie's ready to spin the press, steal the spotlight, and turn scandal into stardom.
Janette Manrara as Roxie was simply sensational. With her background in Strictly Come Dancing, it's no surprise she killed the choreography with seamless, nonchalant ease. Absolutely captivating — a charming energy, sexy and sneaky while also comedic. It's always an energetic sign when a cast member receives applause from the audience upon their entrance. Djalenga Scott as Velma provided that foil perfectly, her presence commanding attention, drawing laughter and admiration throughout.
The ensemble is so strong and visually stunning that you may find yourself drawn in by their magnetism. You'll also be treated to the original Bob Fosse choreography for "Hot Honey Rag" — and it does not disappoint.
John Le Beatty's minimalist set design and William Ivey Long's all-black costumes put full focus on the charismatic choreography and vocal power. No distractions, just raw talent. The onstage orchestra get their time in the spotlight too, and the added ability for actors to interact with the conductor adds extra flair.
It would be a crime to miss Chicago!
★★★★★ | New Wimbledon Theatre (UK Tour)
